March 27, 2022

Ann Druyan wrote the last paragraph of The Demon-Haunted World (1997). Hate to say it, but darkness is winning 📚

Understanding Nonlinear Dynamics

It is a good thing for intellectual humility — particularly in middle age into which yours truly has stepped a few years ago [Note: What constitutes “middle age” in the 2020s is a matter of some debate. Is it a matter of birth date, life style, state of mind, a combination thereof? Taking the last thing first: I have been in a middle age state of mind since I was twelve; am as much of a 2.5-child nuclear family man as a geriatric millennial can be; and am well into the third quintile of life, as foretold by the life expectancy tables for a man of my age. No red convertibles planned for purchase, though a new decked-out Mac Pro — once it comes out — would probably cost just as much and is something I would actually consider having. ] — to open an undergraduate textbook for a field that is just outside one’s area of expertise. A series of reviews on gene regulatory networks led me down a rabbit hole of vector fields and attractor states that was interesting-yet-unscrutable enough to get me to Understanding Nonlinear Dynamics.

It is very much a textbook, info-boxes, end-of-chapter exercise, and all. It also presupposes a grasp of mathematics which I may have had just out of high school but have long since lost. This is fine: at Mortimer Adler’s suggestion I zipped past the equations and derivations, deciding to trust the authors that they are indeed correct, and went to the meat. Which, in nonlinear dynamics, as a nice bonus, also has pretty pictures of fractals and vector fields. Alas, not as artistic as Charles Waddington’s, but nevertheless striking.

What surprised me the most was how much of the field resulted from mathematicians fiddling around with parameters to see what happens. Going to a textbook to learn this was overkill — the Wikipedia article on experimental mathematics may serve the purpose just as well — but knowing the context does make it memorable. There is a pleasing symmetry here: mathematics is usually thought of as purely theoretical, yet its most interesting aspects, Lorenz attractors to Wolfram’s (not so) “new kind of science”, have relied on experimentation. Biology has been purely experimental ever since Watson and Crick, aborted attempts at theoretical biology notwithstanding, and was even a decade ago producing more data than it can handle. Would it not be neat if the answer to this biological data overload wasn’t machine learning but instead a framework for theoretical biology? If there was one, nonlinear dynamics would play a big part.

March 26, 2022

A timeless couple of paragraphs 📚

This whole chapter is striking, particularly when you consider all that came after (the book was first published in March ‘97) 📚

“We are still talking about the original Wuhan strain coronavirus vaccine. Sad!” Attempted Trumpism aside, VP makes a good point. The short time it took from sequencing to mRNA vaccines made headlines. FDA then made provisions for quick review of sequence changes. What happened? 📰

Ann Druyan on localism. Timeless 📚

American cities never stood a chance 📷

March 25, 2022

It’s only the first episode, but The Joy of Why looks to me like the podcast RadioLab used to be, in content if not in sound design. Can’t wait for more 🎙

March 24, 2022

Station Eleven

It was a brave move, to release a TV show/limited series set in the aftermath of a world-ending respiratory virus pandemic right at the tail end of covid. Good thing that the execution was flawless, from the dream-like cinematography,1 through casting, to Satoshi Kon-like editing. Notes of Watchmen, too, in how the source material is to be taken seriously but not literally when converting a book into something else.

Importantly, Station Eleven is set in, but is not about, a post-apocalyptic Earth, in much the same way Titanic was set in, but was not about, a sinking ship. Less romantic love and more parent/guardian/child love/hate relationships here, which is why it takes 9+ hours instead of 3+ to tell the story; but a full, rich, meaningful story is told, and told well. Kudos.


  1. Almost every shot reminded me of the dream sequences from The Leftovers, which were in fact its best part. And it is here that I realize with horror that I never wrote about The Leftovers, which is in my all-time top 5. A rewatch and a writeup are due. ↩︎

📺 Station Eleven 👍

It was a brave move, to release a TV show/limited series set in the aftermath of a world-ending respiratory virus pandemic right at the tail end of covid.