October 26, 2025

🍿 A House of Dynamite (2025) was the horror movie of the year — nay, decade — with a soundtrack made for nightmares. It is also the most geographically correct DC movie in ages, although in 10 years living here I am yet to see someone wearing a clean suit take a WMATA bus to work. Regardless, it was heartening to see that even Netflix could produce an occasional diamond.

October 25, 2025

Weekend links, semi-long reads edition

It’s a gorgeous day for picking apples.

A scenic landscape features a small lake with surrounding trees, people in the distance, and a tractor with a sign promoting apple picking.

I mean, just look at these clouds.

A scenic landscape features a grassy field with a few trees, people in the distance, and a small red building under a blue sky with fluffy clouds.

And, of course, the star of the show. It’s apple pie time tomorrow.

A small apple tree is laden with red apples in a grassy area under a partly cloudy sky.

October 24, 2025

Things to check out over the weekend, digital

Have a good weekend, all.

October 23, 2025

Thursday Twitter hits, put on your biohazard suits

October 22, 2025

Mid-week links, and a conspiracy theory

October 20, 2025

Monday links, edge case edition

October 19, 2025

Scenes from a gentler time

The British crime drama Broadchurch came out in 2013. John Favreau’s food porn vanity project Chef was released in 2014. Despite both now being more than a decade old, in my mind they are still filed under “new things that came out that we missed because we had an infant in the house while also being medical residents”. It was therefore jarring to see how dated they both were, and for similar reasons.

Broadchurch deals with the murder of an 11-year-old boy in a small coastal community. Twitter is mentioned a handful of times, only in the context of breaking news. There is no Instagram or messaging apps: pre-teens email each other. The boy’s family is at a loss for how to attract national attention to the killing and finds the answer in a tabloid journalist. It all feels quaint, though admittedly I don’t know if that was intentional even in 2013 (from the edgy music and the oh-so serious tone of the show, I suspect not). I won’t mention a recent British show by name for fear of spoiling other, but if you’ve seen both you will now what is the clear parallel and how much things have changed.

Chef, on the other hand, is completely Twitter-dependent, and is arguably one of the first movies to use Twitter #MainCharacter dynamics as a plot point (Justine Sacco had landed a few months before the movie was released, and probably wasn’t even on Favreau’s radar). Twitter is shown in a completely positive light, and I can’t think of any other movie that has done that. It is also a good time capsule of the food trucks on Twitter craze. The early 2010s were the peak time for both, before culture wars killed one and covid the other.

So now I am inclined to see what else came out in that 2010–2015 period. Is it too early to be nostalgic for those times?