This FT lunch interview with Piers Morgan was written for someone more clued in to British media than I am, but he seems to be an insufferable oaf, and proud of it! Even if just a facade — though one that pays off handsomely — is that how you want people to see you?
Charlie Warzel puts out a brilliant newsletter every week, and today’s is no different. “Business dude lorem ipsum” indeed.
📚From The Complacent Class by Tyler Cowen, February 2017.
An old one but good one from Scott Aaronson:
A blankface is anyone who enjoys wielding the power entrusted in them to make others miserable by acting like a cog in a broken machine, rather than like a human being with courage, judgment, and responsibility for their actions.
Dealing with some government bureaucracy today and boy does this word fit for some — not all! — of the people involved.
Miško (Mouser) the cat, living up to his name.
Katherine Eban at Vanity Fair:
Though Fenton is a FEMA superstar with ample experience responding to tornadoes and hurricanes, it would have been more logical for the top person to come from within the HHS family of agencies, though a division director from the Centers for Disease Control and Prevention (CDC) was assigned as Fenton’s deputy. The choice “reflects the fact that CDC can’t operate its way out of a paper bag,” said the former HHS official.
Third year into the covid-19 pandemic and I still can’t wrap my head around the fact that the CDC is moribund. Institutional decay comes for all during the fat and lazy times.
Katherine Eban also wrote this brilliant account of the lab-leak hypothesis and a hair-raising book about the FDA that made the agency’s fumbles, unlike the CDC’s, not at all surprising.
Next year, the country is set to allow people to be killed exclusively for mental health reasons. It is also considering extending euthanasia to “mature” minors — children under 18 who meet the same requirements as adults.
That country is Canada. Yikes!
Ah, DC summers… (our office view right now)
Trite and predictable, with stilted animation, convoluted storytelling, and a general feeling of awkwardness that drowns the few good early scenes. We were re-watching Ratatouille for what feels like the 56th time last weekend and it is ridiculous how much better it is in every respect despite being 15 years older. Luck… will not be getting a re-watch.
🎬 Luck (2022) was a disappointment in every respect. The awkwardness started with the initial dancing video and continued through the end. My 9 y/o sort-of liked it, but she’d like anything with cats in it (and Bob is a poor copy of Jiji).