- David Foster Wallace for Review of Contemporary Fiction (1993): E unibus pluram: television and U.S. fiction. On television as voyeurism-enabling best friend of a young fiction writer, among other things. Look, I know it is too long because DFW loves his asides and his self-references, but in year 2026 those make the actual value of the essay: any points he had about network versus cable TV and how those two affect American fiction have become irrelevant as all three of those things are now dead or dying. So, sit down and savor it if you haven’t already — they stopped making DFW essays, you know! — possibly with a better formatted if somewhat distorted PDF version.
- Sam Kean for Slate (2014): Phineas Gage, Neuroscience’s Most Famous Patient. I have used the case of Phineas Gage in an old lecture as an example of a “natural experiment”, and the amount of uncertainty about him this essay reveals makes me think it was an even better choice than I originally thought. Gage’s personality differs with each retelling, shifting to match the point being made; call it the narrative degree of freedom. No one, not even scientists — heck, particularly not scientists — is immune to a good yarn.
- Gay Talese for The New Yorker (2016): The Voyeur’s Motel. Like this essay from the great — and still alive! — Talese. He was 84 when he wrote the essay about things that happened back in the 1960s through the ’80s. How much of it was true? And for what purpose did he end up putting it to paper? This reviewer was skeptical, but please hold off from reading the review until after you read the essay, because of course you have the time.
- Terry Eagleton for London Review of Books (2023): What’s your story? This is a review you should read before the book — I certainly did. The book reviewed, Seduced by Story, will not make its way on to the pile as I have long ago internalized the point it seems to be wanting to make. The review, on the other hand, is a delightful reference to other people’s work on the subject, including that
Slavoj Žižek has pointed out that Donald Rumsfeld’s sole contribution to the sum of human wisdom – his litany of known knowns, known unknowns and unknown unknowns – lacks a fourth permutation: unknown knowns, things we know but don’t know we know, a more suggestive notion of ideology than Brooks’s systems of extremist ideas.
An example of an unknown “known” Eagleton plops in a preceding paragraph:
Brooks also refers to myths as ideology, but makes the classic liberal mistake of overlooking his own. Along with most Americans, he probably believes in Nato, the free market and private education, but it’s unlikely he would call this an ideology. Like halitosis, ideology is what the other guy has.
But then we are getting into headier topics than simple storytelling.