M. John Harrison writes about agency:

For one thing, “main character” is a foundational pillar of storification; & the storification of everything has led directly to the Babel we live in now. The least fiction can do, now that everything–from “news” to science–is presented/exploited as story, is to destorify itself. & that’s before you get to consciously fake news & science.

One reason I liked his books is that this perspective comes out very clearly. Now only to destorify science…

📚 Finished reading: False Dawn by John Gray, written in 1998 and getting many things right, most of all the vibes of a post-liberal, post-free market world. He still writes in the same timbre, though now he sounds more like a broken record played in an echo chamber. What a difference 25 years make.

As seen in some regulatory documents I have been reviewing:

… which is submitted herewith and incorporated herein by reference…

And now I’m looking for a good book that could explain how legalese came to be, because surely there was a reason “which is submitted and incorporated here” wasn’t sufficient.

When I first saw Patrick Collison’s “vague tech cannon”, the preponderance of biographies and Silicone Valley histories seemed like too much navel gazing. Tanner Greer had a more charitable perspective:

To study the great men of a community’s past is to study what greatness means in that community. That I think is half the purpose of these biographies of Roosevelt and Rockefeller, Feynman and Oppenheimer, Licklider and Noyce, Thiel and Musk. These books are an education in an ethos. Such is the paıdeía of the technologists.

Roosevelt, Rockefeller, Feynman — yes. But Thiel and Musk?

📚 Forty books that comprise the Vague Tech Canon, per Patrick Collison:

• The Tinkerings of Robert Noyce
• Seeing Like a State†
• The Dream Machine
• The Sovereign Individual
• The Beginning of Infinity†
• Surely You’re Joking, Mr Feynman*
• Softwar
• Ashlee Vance’s Elon biography
• The Mythical Man-Month
• Mindstorms
• Masters of Doom
• Skunk Works
• Structure and Interpretation of Computer Programs
• Thinking in Systems‡
• Superintelligence
• The Whole Earth Catalog
• Zero to One
• The Hard Thing about Hard Things
• Founders at Work
• Showstopper
• Dealers of Lightning
• The Making of the Atomic Bomb
• PG’s essays
• The Rise and Fall of American Growth
• The Big Score
• Finite and Infinite Games*
• A Pattern Language*
• The Selfish Gene*
• The Lean Startup
• Marginal Revolution (if it has to be a book, Stubborn Attachments)
• Revolution in the Valley
• Uncanny Valley
• LessWrong
• Slate Star Codex(/ACT)
• The PayPal Wars
• The Cathedral and the Bazaar
• The Diamond Age
• What the Dormouse Said
• Zen and the Art of Motorcycle Maintenance*
• The Rise of Theodore Roosevelt†
• Titan (on Rockefeller)
• The Power Broker*
• Gödel, Escher, Bach

Linked are those I wrote about, starred are the ones I’ve read, daggered are the ones already on my pile and double-daggered are the ones that got on it thanks to this list. There is a single ‡ entry — the list had too much navel gazing for my taste. (ᔥTyler Cowen)

For the second time this week, my man at the Financial Times knocks it out of the park:

To read well is to ignore the now. This is true of no other art form, because no other art form is so time-intensive.

Pair with Taleb’s advice on writing.

Nassim Taleb wrote about how he writes:

The common fallacy is that if you want people to read you in the future, you must project something related to the future, focused on the contemporary and be as different from the past as possible –say by populating your work with space machines, high technology, and revolutionary ideas. My U.S. publisher still tries to squeeze modern art on the cover when I am looking elsewhere.

No, no; it’s the exact opposite. If you want to be read in the future, make sure you would have been read in the past. We have no idea of what’s in the future, but we have some knowledge of what was in the past. So I make sure I would have been read both in the past and in the present time, that is by both the contemporaries and the dead. So I speculated that books that would have been relevant twenty years in the past (conditional of course of being relevant today) would be interesting twenty years in the future.

But there is also this:

Another discovery I made then, and to which I have been adhering until the present. If you consider writing a creative endeavor, then avoid practicing it in mundane matters as it may both dull your vitality and make it feel like drudgery, work. I find it painful to write outside of my books (or mathematical papers) –and immensely pleasurable to write in book form. So I limit my emails to one or two laconic (but sometimes incomprehensible) sentences, postcard like; the same with social media posts that are not excerpts from books. There is still such a contraption called a telephone. Likewise, I don’t read letters and emails longer than a postcard. Writing must have some solemnity. Reading and writing, in the past, were the province of the sacred.

Not to belabor the point, but I too have found pleasure in writing articles of a certain length — and it’s not the length of a book! To each their own.

Andrew Gelman has a new — and free — textbook out, Regression and Other Stories. From the cover:

Many textbooks on regression focus on theory and the simplest of examples. Real statistical problems, however, are complex and subtle. This is not a book about the theory of regression. It is a book about how to use regression to solve real problems of comparison, estimation, prediction, and causal inference. It focuses on practical issues such as sample size and missing data and a wide range of goals and techniques. It jumps right in to methods and computer code you can use fresh out of the box.

Between that, his Bayesian Data Analysis and many other freely available lectures and books, has there ever been a better time for high school students bored out of their minds by the pedestrian curriculum? But I am now just projecting to myself from 20-some years ago — I am sure high school students of today would rather spend time on their PS5, and my past self would probably have joined them. (↬Andrew Gelman)

📚 Finished reading: Moonbound by Robin Sloan, which is a light, fluffy, summer-time — someone less charitable may have said paper-thin — version of some of my favorite sci-fi series. But please don’t mind my inner snob showing off: it is a fine book and I anxiously await the sequel.

📚 Finished reading: The Will to Battle by Ada Palmer, who continues to mix enlightenment philosophy, history and some dark, dark humor to produce an artifact from the 25th century that may answer some question we have in the 21st. I am at once sad and relieved that there is only one book left in the series.