📚 Finished reading: The Notebook by Roland Allen. It starts off strong, with an anecdote about the creation of the Moleskine brand, then goes in much depth about writing during renaissance and the enlightenment, topping it off with a few modern developments like BuJo. The chapters are self-contained and packed with information without being bogged down into too much detail — the Moleskine chapter is a good example of what to expect — at the expense of an overarching “story”. So, this is a collection of vignettes more than a systemic review and categorization of the types of notebooks through history, and that’s fine.
A few higlights:
A more modest list for what I hope will be a more modest year:
Remember, it’s the books you don’t read that count. And here are last year’s wish lists: 2024 — 2023 — 2022.
For all the hate X gets, you can still find nuggets of good information, Nassim Taleb and the Taleb-adjacent being a prime example. Here is one such post, from Juani Villarejo, shown here in its entirety for those who would rather not go to X to see the original:
Parkinson’s law says that work expands to fill the available time.
Jevons’s paradox states that every increased efficiency, will raise demand rather than decrease it.
And there is a work asymmetry:
Probably there are many more things you dislike doing than things you like.Conclusion: If you allocate time to work, all the time will be filled with tasks to do.
If you make your work more efficient, your time will be filled with more tasks (demands increases).
But by the asymmetry, tasks you dislike doing have more chance to appear than tasks you like.
So when you make your work more efficient your time will always tend to be filled with more tasks you dislike doing.
Corollary: Never ever efficientize (sic!) the things you like doing. Take all the time and enjoy them slowly. They also serve as a defense wall against the things you dislike.
The links and emphasis are mine. For all its pretenses to the contrary X is still a horrible platform for anything longer than 300 or so characters and does not allow for hyperlinks.
A thought for the year, from the aforementioned Prof. Taleb:
Likewise, I don’t read letters and emails longer than a postcard. Writing must have some solemnity. Reading and writing, in the past, were the province of the sacred.
From How I Write, to which I have linked before. Good essays much like good books are worth re-rereading.
Here are a few links to start off 2025 (see if you can spot a pattern):
Happy New Year, dear reader!
I did not read as much as I hoped I would and the list I had set out for myself was wildly optimistic. And that’s fine. Books that were on my actual reading list for the year are marked with an asterisk. There aren’t many of them. Some of the entries have a sentence or two with my current feelings about the book, and the titles link to the fresh-off-the-reading thoughts.
I try to wrap up any reading by December 31 so as not to have any book straddling the years but I am now in the middle of The Notebook: A History of Thinking on Paper by Roland Allen and — spoiler alert for the first book I’ll finish in 2025 — it is right up my alley so it gets an honorable mention here. This is in fact where I learned about the origin of “commonplace” that I slipped in at number 7.
And here are the previous two years: 2023 — 2022. Brief book reviews go back to 2017 (here is the very first one); one day I may collect those into lists as well.
An article from Matt Maldre about skipping to the popular parts of a YouTube video caught my eye:
Take this two-hour animation of a candy corn ablaze in a fireplace. This cute video is a simple loop that goes over and over. Certainly, in two hours, there’s got to be sort of Easter egg that happens, right? Maybe Santa comes down the chimney.
Roll over the Engagement Graph, and you’ll see some spikes.
I checked out the spikes. Nothing different happens. It’s the same loop. It’s just people clicking the same spikes that other people did because other people clicked it.
Because humans are humans and nature is nature. Now how many fields of science are made of people analyzing, explaining, narrating and writing millions upon millions of words about an equivalent of these spikes? Microbiome for sure. Much of genetics as currently practiced. Anything that relies on principle component analysis. What else?
The last crusty bread of the year. I’ve only started last year so there is much to learn. One of the thing is: bread flour is called that for a reason and you’d do well to chose it over “all purpose”.
Podcast-wise, I am in my 2016 mood. There were five prospects for 2024. I became a regular listener of exactly zero. The true regulars continue to be ATP, EconTalk, Conversations with Tyler, The Talk Show and Dithering, but even there I skip through more episodes than I complete.
Still, moods shift and if I listen to more of anything next year it may be one or more of these:
And here are years past: 2023 — 2022 — 2021 — 2020 — 2019 — 2018 — The one where I took a break from podcasts — The very first one
From the most excellent exhibit Brilliant Exiles: American Women in Paris, 1900–1939 on display at the National Portrait Gallery until February 23, 2025:
Rose O’Neill 1874-1944 Born Wilkes-Barre, Pennsylvania
Rose O’Neill invented the internationally famous “Kewpie” cartoon character. It made her a millionaire and the highest-paid woman artist in the world. In Paris, she revealed a very different artistic side. There, she exhibited visionary artworks inspired by dreams and the unconscious.
O’Neill first exhibited at the Paris Salon in 1906 and was immediately elected to its prestigious membership. Fifteen years later, Parisian critics praised her one-woman show. It featured fantastic images influenced by pagan mythology and evolutionary theory.
O’Neill championed women’s economic independence and sexual liberation. She blamed fashion for constraining women, asking “How can they hope to compete with men when they are boxed up tight in the clothes that are worn today?” She once pretended to be pregnant to persuade a French clothier to make a corset-free, loose-fitting gown, like the one worn in this portrait. Her nonchalant pose and defiant gaze express O’Neill’s supreme self-assurance.
Here is the portrait, even more remarkable in person:
And yes this is the same Kewpie that endures as a brand of Japanese mayonnaise on sale at your local Costco.
Tracing phenomena through time is a humbling experience. The same exhibit dedicated a whole section to Josephine Baker — just try to categorize this.